Bordo Bello Skateboard Fundraiser Sean Serafini

Bordo Bello Skateboard Fundraiser Sean Serafini

Bordo Bello Skateboard Fundraiser Sean Serafini aesthetic perspective

Above is my skateboard design from the 2012 Bordo Bello Fundraiser hosted by AIGA Colorado chapter. The inspiration for this design comes from the facts described below.

One of the world’s most colourful, vivid and productive ecosystems–the Caribbean coral reefs–are on the verge of collapse, with a meager 8% of the reef area showing live coral cover. Conservationists say the drastic loss is the result of over-exploitation, pollution from agricultural run-off, and ocean acidification caused by CO2 emissions. The decline has been rapid: in the 1970s, more than 50% showed live coral cover, a difference of almost 10% per decade, with no sign of coral death slowing.

Coral reefs are a particularly valuable part of the marine ecosystem because they act as nurseries for younger fish, providing food sources and protection from predators until the fish have grown large enough to fend better for themselves. They are also a source of revenue from tourism and leisure.

Adapted from a report by the The Guardian

This Shit Matters Information Languages Illustration Sean Serafini

This Shit Matters Information Languages Illustration Sean Serafini

This Shit Matters Information Languages Illustration Sean Serafini Zoom

The word information may bring to mind data tables, books, or computer systems. But it’s much more than that. Information is the ultimate unsplittable particle, the very building block of matter—dictating every structure, organization and quantum state. In its simplest form, it is the bit: a choice, a yes or a no. Every particle, every field of force, even the space-time continuum itself—derives its function, its very existence from bits.1

Much of this understanding evolved from a 1948 paper by mathematician Claude Shannon. Shannon’s paper provided a theory for how little and how fast information could be communicated through a given channel to “reproduce at one point either exactly or approximately a message selected at another point.” To solve this he needed to measure information. To measure it he needed
to define it. And to define it is to find its simplest form. Shannon coined his discovery the bit. Shannon’s theory made a bridge between information and uncertainty. It revolutionized all the sciences—physics, biology, economics, quantum mechanics, computer science—it became a way to measure, decipher, compress, store, and transmit information on a scale never before possible.3

James Gleick, in his brilliant book, The Information: a History, a Theory, a Flood, proclaims that in the modern age, “Information is what our world runs on: the blood, the fuel, the vital principle. It pervades the sciences from top to bottom, transforming every branch of knowledge.” Force, mass, motion, time: the laws of physics explain our universe through algorithms—codes written in the language of numbers. “When photon and electrons and other particles interact, what are they really doing? Exchanging bits, transmitting quantum states, processing information.”1

We now know the building block of life as information: DNA, genes—four-digit replicating codes transmit instructions for building an organism. Six billion bits to form a human. Just as genes live on by successfully multiplying, their cultural twin, memes—brands, slogans, myths, catchphrases, songs, clichés—act the same way, using human or computer “carriers” to perpetuate and reproduce themselves. Successful memes survive, the rest go extinct.2

Communication of information has always fundamentally altered human consciousness. Information dictates how we process what we see, hear and believe. Our construction of language, codes for experiences and ideas, allowed us to find self-awareness, to organize communities, and manipulate the food supply. Early written language enabled humans to stand on the shoulders of those before them and pass knowledge over generations, to form concepts of religion and morals.

Gutenberg’s printing press accelerated the reliability and distribution of knowledge by duplicating information cheaply and quickly. It encouraged education, literacy, free thinking, and propelled the sciences. “From the printing press came new species of information organizers: dictionaries encyclopedias, almanacs—compendiums of words, classifiers of facts, trees of knowledge.”1

As we got better at distributing information, our world got smaller. Alphabets, numbers, dots, dashes, and flashes of light began to ride across the planet through telegraph codes, telephones lines, radio waves, and television signals. Symbols and signs are now coded into trillions of gigabytes worth of emails, business documents, credit card transactions, global stock exchanges, classified reports, Facebook photos, music, and games all stored within thousands of servers warehouses across the world. Search engines have replaced librarians, dictionaries, and encyclopedias as data is retrieved from within the most comprehensive database of human knowledge, the Cloud.

Information has become cheap. But, as Gleick states, “when information is cheap, attention becomes expensive.” It’s not enough for information to simply exist, it needs to be relevant and easy to find. We are surrounded by what engineers refer to as noise—meaningless chatter among the lines of communication—drowning the message being transmitted.

Our problem of knowledge is akin to Jorge Borges’s mythical ‘Library of Babel’. It was said to contain all knowledge, a library of all volumes of all books of all languages. Yet, no knowledge can be found there because all knowledge is there, shelved side by side with all falsehood.

Information is language. Translated properly, all knowledge could be found. But the problem has always been the same: Locating it amidst the noise.

Notes:

1. Gleick, James.
The Information:
a History, a Theory,
a Flood. New York,
N.Y.: Pantheon,
2011.

2. Dawkins, Richard.
The Selfish Gene.
USA.: Oxford
Press,1990.

3. Shannon, C.E.
A Mathematical
Theory of
Communication.
Bell Systems
Technical Journal,
Vol. 27, 1948.

Elie Ahovi industrial design

Elie Ahovi industrial design

Elie Ahovi Industrial Design

In response to the problem posed by Veolia Environmental Services, Industrial Designer Elie Ahovi and fellow designers have concepted this fantastic solution to help collect the vast swaths of garbage floating in the seas (note: the infamous Texas-sized gyre of plastic and other debris collecting in the pacific ocean).

Their prospective “Marine Drone” is an autonomous, trash-skimming, sensor-equipped machine that detects trash in the ocean and scoops it into its net to be recycled. The drone is designed to navigate the ocean for two weeks at a time and would use an infrasound system to keep fish at bay.

Credits for the project:
Design - Elie Ahovi, Adrien Lefebvre, Philomene Lambaere, Marion Wipliez, Quentin Sorel, Benjamin Lemoal
3D modeling - Quentin Sorel, Benjamin Lemoal
Render - Elie Ahovi, Quentin Sorel, Benjamin Lemoal

To learn more about the project, and see more work, visit Elie’s personal site.

aesthetic perspective sean serafini Plastic Bottle Oil Consumption Visualization

Plastic bottles are convenient. We buy them on the go, enjoy their contents at our own pace, and throw them away when we’re done. No dishes, no preparation, no hassle.

But their convenience and proliferation in the market blinds us to the implications inherent in their production, short-lived usage, and the long-term waste they become.

Americans alone pile 29 billion bottles per year on the Earth’s surface. Per year, this requires 17 million barrels of crude oil for production. Put another way, it’s enough oil to drive 1 million vehicles for 12 months (See Reference 1). Put yet another way, if you filled a water bottle a quarter of the way up with oil, it would be about equivalent to the amount of oil needed to produce that same bottle (See Reference 2). And that is only for the production of plastic. The Earth Policy Institute estimates that the total energy used to pump, process, transport and refrigerate bottled water (or any other bottled drink) is over 50 million barrels of oil annually (See Reference 4). Ultimately, this results in thousands of tons of carbon dioxide pollution, not to mention the massive waste of time and capital.

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Hong Seon Jang Type City Typography

Hong Seon Jang Type City Typography Landscape

Hong Seon Jang's 'Type City' Typography Structures

Hong Seon Jang creates “works that evoke a fundamental recognition of our space and environment and imply physical vulnerability in our daily life.”

Jang’s work consists of installations often made out of found objects and common products. His ideas evolved from his “interest in studying the similarities between human and non-human life forms pertaining to structures, symbols, and patterns.”

This piece, Type City, used pieces of movable type from a printing press to create this wonderfully complex cityscape.

See more of his work at the David B. Smith Gallery.